上海第二工业大学本科毕业论文开题报告(另打印,以下为
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上海第二工业大学本科毕业论文开题报告(另打印,以下为样本)姓名学院专业班级学号指导老师本开题报告括号内内容为说明文字,打印时请删除...
上海第二工业大学本科毕业论文开题报告(另打印,以下为样本)
一、论文选题的动因(背景或意义)
Many postcolonial feminists argue that some oppressions relating to the colonial experience, particularly racial, class, and ethnic oppressions have marginalized women in postcolonial societies in ways that differ from Western women. They also argue that to challenge gender oppression within their own culture does not make them Western as some people within their cultures would contend. And an underlying theoretical premise of postcolonial feminism is concepts of freedom, equality, and rights stemming from the Enlightenment privilege European norms. Lucinda,the leading protagonist in Oscar and Lucinda, as an English-Australian is characterized by feminism with European background. She lives in contradictory circumstances and has been marginalized and isolated by her fellows, men and women. Her persistent struggle against the inequality reflects the women’s living condition in 19th century and the writer’s viewpoint on this issue in 20th century.
二、论文拟阐明的主要问题(简述研究问题的基本思路、方法和主要观点。)
Feminism in men-led Australia has its own contents and forms. Each potential feminist individual has received different educations and was influenced by different living conditions. The thesis is an attempt to demonstrate feminism in Lucinda in terms of her character, her conflicts with society, her love with Oscar and the survival way in desperation and to analyze reasons for Peter Carey to delineate such a feminist character in light of Australian history and culture. The thesis concludes that feminist aspects of Lucinda, to some extent, reflect the marginalized identity of Australia, just as Lucinda is isolated from the dominant world. To women in Australia what matters most is the reorientation in society.
三、论文提纲
1 Introduction
A survey of Peter Carey’s writing career and his major works; comments,
positive and negative, on Oscar and Lucinda; the argument of the thesis.
2 Feminism in Oscar and Lucinda
2.1 Lucinda’s conflicts with man’s world
2.2 Lucinda’s conflicts with Oscar
2.3 Lucinda’s conflicts with Australian conventions
3 Motivations for Peter Carey’s delineate feminism in Oscar and Lucinda
3.1 Feminism and Australia’s cultural identity
3.2 Feminism and Australian history
4 Conclusion
The thesis concludes that feminist aspects of Lucinda, to some extent, reflect the marginalized identity of Australia, just as Lucinda is isolated from the dominant world. To women in Australia what matters most is the reorientation in society.
四、论文工作进度安排(论文各阶段内容以及时间节点,时间节点按实际情况填写)
五、参考文献
[1] Bennett, B and Strauss, J., 1998. The Oxford Literary History of Australia. Oxford University Press, Melbourne.
[2] Hergenhan, L., 1998. The Penguin New Literary History of Australia. Penguin Books, Melbourne.
[3] Hebbar, Reshmi J., African American Studies and Postcolonialism. Viewed 10 July 2005, < http://www.english.emory.edu/Bahri/AfricanAmerican.html >.
[4] Lamb, K., 1992. Peter Carey: The Genesis of Fame. Angus &Robertson, London.
[5] Spivak, Gayatri Chakravorty, Three Women’s Texts and a Critique of Imperialism. Viewed 12 July 2005,< http://faculty.smu.edu/nschwart/seminar/spivak.htm>.
[6] 艾勒克·博埃默著. 盛宁.韩敏中译. 殖民与后殖民文学. 第一版. 沈阳.辽宁教育出版社. 1998.
[7] 罗钢.刘象愚. 后殖民主义文化理论. 第一版. 北京. 中国社会科学出版社. 1999.
[8] 罗婷. 女性主义文学批评在西方与中国. 第一版. 北京. 中国社会科学出版社. 2004.
[9] 陶东风. 后殖民主义与女权主义. 见于2005年7月12日. <http://www.culstudies.com/rendanews/displaynews.asp?id=499>.
[10] 张京媛. 当代女性主义文学批评. 第一版. 北京. 北京大学出版社.1992.
六、导师意见(是否同意学生进入论文写作阶段)
导师(签名):20 年 月
| 姓名 | 学院 | 专业 | |||
| 班级 | 学号 | 指导老师 |
|
本开题报告括号内内容为说明文字,打印时请删除
|
一、论文选题的动因(背景或意义)
Many postcolonial feminists argue that some oppressions relating to the colonial experience, particularly racial, class, and ethnic oppressions have marginalized women in postcolonial societies in ways that differ from Western women. They also argue that to challenge gender oppression within their own culture does not make them Western as some people within their cultures would contend. And an underlying theoretical premise of postcolonial feminism is concepts of freedom, equality, and rights stemming from the Enlightenment privilege European norms. Lucinda,the leading protagonist in Oscar and Lucinda, as an English-Australian is characterized by feminism with European background. She lives in contradictory circumstances and has been marginalized and isolated by her fellows, men and women. Her persistent struggle against the inequality reflects the women’s living condition in 19th century and the writer’s viewpoint on this issue in 20th century.
二、论文拟阐明的主要问题(简述研究问题的基本思路、方法和主要观点。)
Feminism in men-led Australia has its own contents and forms. Each potential feminist individual has received different educations and was influenced by different living conditions. The thesis is an attempt to demonstrate feminism in Lucinda in terms of her character, her conflicts with society, her love with Oscar and the survival way in desperation and to analyze reasons for Peter Carey to delineate such a feminist character in light of Australian history and culture. The thesis concludes that feminist aspects of Lucinda, to some extent, reflect the marginalized identity of Australia, just as Lucinda is isolated from the dominant world. To women in Australia what matters most is the reorientation in society.
三、论文提纲
1 Introduction
A survey of Peter Carey’s writing career and his major works; comments,
positive and negative, on Oscar and Lucinda; the argument of the thesis.
2 Feminism in Oscar and Lucinda
2.1 Lucinda’s conflicts with man’s world
2.2 Lucinda’s conflicts with Oscar
2.3 Lucinda’s conflicts with Australian conventions
3 Motivations for Peter Carey’s delineate feminism in Oscar and Lucinda
3.1 Feminism and Australia’s cultural identity
3.2 Feminism and Australian history
4 Conclusion
The thesis concludes that feminist aspects of Lucinda, to some extent, reflect the marginalized identity of Australia, just as Lucinda is isolated from the dominant world. To women in Australia what matters most is the reorientation in society.
四、论文工作进度安排(论文各阶段内容以及时间节点,时间节点按实际情况填写)
| 序 号 | 论文各阶段内容 | 时间节点 |
| 1 | First meeting with the supervisor | 21/12/2011 |
| 2 | Choice of topic | 23/12/2011 |
| 3 | Outline and thesis proposal | 11/1/2011 |
| 4 | First draft of paper | 7/3/2012 |
| 5 | Second draft of paper | 21/3/2012 |
| 6 | Third draft of paper | 28/3/2012 |
| 7 | Finalized version of paper | 3/4/2012 |
五、参考文献
[1] Bennett, B and Strauss, J., 1998. The Oxford Literary History of Australia. Oxford University Press, Melbourne.
[2] Hergenhan, L., 1998. The Penguin New Literary History of Australia. Penguin Books, Melbourne.
[3] Hebbar, Reshmi J., African American Studies and Postcolonialism. Viewed 10 July 2005, < http://www.english.emory.edu/Bahri/AfricanAmerican.html >.
[4] Lamb, K., 1992. Peter Carey: The Genesis of Fame. Angus &Robertson, London.
[5] Spivak, Gayatri Chakravorty, Three Women’s Texts and a Critique of Imperialism. Viewed 12 July 2005,< http://faculty.smu.edu/nschwart/seminar/spivak.htm>.
[6] 艾勒克·博埃默著. 盛宁.韩敏中译. 殖民与后殖民文学. 第一版. 沈阳.辽宁教育出版社. 1998.
[7] 罗钢.刘象愚. 后殖民主义文化理论. 第一版. 北京. 中国社会科学出版社. 1999.
[8] 罗婷. 女性主义文学批评在西方与中国. 第一版. 北京. 中国社会科学出版社. 2004.
[9] 陶东风. 后殖民主义与女权主义. 见于2005年7月12日. <http://www.culstudies.com/rendanews/displaynews.asp?id=499>.
[10] 张京媛. 当代女性主义文学批评. 第一版. 北京. 北京大学出版社.1992.
六、导师意见(是否同意学生进入论文写作阶段)
导师(签名):20 年 月
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